Claire Leggett

Claire is a colour, pattern, stitch and print loving painter, designer and tutor – living in Birmingham UK.

She has a degree in Fashion & Textiles specialising in Print, and had a long career as a Primary school teacher specialising in Children with Additional Needs. Her talent for teaching and creativity has made her a successful teaching partner at such venues as : Birmingham Museums and Art Gallery; University Birmingham’s Winterbourne Gardens, local art groups, MAC Birmingham in the Textiles, Painting & Drawing and Digital depts; with Mothership CiC delivering community arts to women and their children, with schools in partnership with Walsall Arts for All, with Multistory as a Community Engagement Artist & the NHS Royal Orthopaedic Hospital delivering workshops as part of the Pain Management clinic.

Claire has been creating surface pattern designs as a freelancer for many years for clients such as Huggies and has also been featured in The Pattern Base book by Thames & Hudson. Her work is currently represented by Pattern Bank.

Claire was Artist in Residence at Winterbourne House & Gardens, University of Birmingham in 2019. This forged a longstanding relationship and Claire can regularly be found there teaching short courses in Painting & Drawing and day classes in art and textile art techniques.

Keen to invest in her community, she started running a short course near her home; Painting & Drawing Nature at The Pavilion, Warley Woods.

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In September 2019 I was Artist in Residence at Birmingham University, Winterbourne House & Gardens.

The 18 month long residency provided me with the artistic opportunity to inhabit this beautiful and inspirationally rich space for a period of time. By having time to ‘dwell’ in the garden through the seasons and to work on site drawing and painting, I was able to discover and experience Winterbourne and its influence on my art practice.

My work as a visual artist spans painting, drawing, textile art, embroidery and printing and also extends into commercial surface pattern design. For example the drawing of a flower can move from sketchbook to Photoshop, from paper to fabric, from 3D to 2D and find new life as a painted art piece or a hand-made printed fabric item.

In this way I explored the gardens through drawing and painting and then translated that inspiration into not just fine art such as “Anthemis” featured but also embroidered pieces such as the chair seat cover pictured, printed art and hand-printed fabric such as the foxglove fabric in progress as shown and repeat patterns for surface pattern designs.

There is a short portfolio film showing some of the work I created here.

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