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Winterbourne House and Garden residency update

How the time just flies by! There I was preparing a catch up blog post about my work as Artist-in-Residence at Winterbourne House and Gardens and then all of a sudden the weather has changed, the gardens developed and what I had to show you looks distinctly wintery!

This week has been glorious, unlike the preceeding two which rained on and off so much I couldn't chance getting out to draw or paint without a small soaking. Consequently the gardens are thriving and growing. The Anthemis border looks absolutely stunning at the moment and is top of my list to work on given long enough to do so.

I spent a day drawing arounds the grounds on Monday (and looking at old maps in the archives) getting some visual reference for some print work I'm doing and also some embroidery.

Prior to that April brought a beautiful Flowering Japonica which grew all white and blossomy in a dark corner of the garden providing lots of contrast.

I'm spinning a lot of plates atm on a lot of projects and the only way I can move forward is to do a little on all fronts and wait for the bucket to fill! I'm working in bursts when time allows but importantly, enjoying all the variety. This week in preparation of teaching my MAC Birmingham students how to print in repeat, I drew on Mondays Foxglove studies and printed a nodding row of these lovely flowers.

And if you're interested in stitching and embroidery, this lovely workshop at Winterbourne is on sale now and you can read about it here - it'd be lovely to meet you in real life :)

 

4 July 2019 in Artist in Residence | Artist-in-Residence at Winterbourne House and Gardens | mac birmingham | stitching and embroidery | Winterbourne House and Garden | Winterbourne House and Garden residency | Winterbourne workshop

South Asia inpsiration

Our trip to Southern Asia earlier this year (here, here, here and here) was rich in visual and cultural inspiration.

I’ve honestly felt a little overwhelmed by how deep and far I could go into this vibrant feast of creative stimulus and output – whether to start with painting or stitch or print. And all the while I’m spinning the other plates of my self-employment as an artist: delivery/teaching and all the admin that it takes to run a small business. It can be distracting and actually difficult to get time to be creative some weeks.

So I just began. One day unceremoniously. Just where I was. No fanfare or special time set aside. I just started. I took off simply by doing a little each day – whatever I had time for.

As I teach screen-printing and mixed media textiles twice a week at MAC, I kicked off this intention by focusing my preparation for these classes on my Asia photos – and I have a lot to choose from as I took nearly 7000! inc duplicates for a better shot – you know? So to make that task less anxiety inducing, I split those into files: Malaysia, Vietnam, Cambodia and Laos. I currently haven’t got to the end of the 2.243 photos taken in Malaysia!

So if I was demonstrating cutting a screen-print stencil I based it on a motif from of a beautiful textile in the National Textile Museum in Kuala Lumpur or if I was making an example of free-machine embroidery for my Mixed Media Textiles class I referenced a drawing I’d done from a beautiful silk kimono.

Sometimes that was a basic quick line drawing, other times I had paints out to use. On some evenings I have doodled in front of the TV on my ipad pro – not that I’m especially proficient but it’s a great way to easily draw and digitalise your handwork.

It’s true what they say about ‘a little and often’ -  gradually my pile of Asia work is coming to life.

13 June 2019 in creative stimulus and output | difficult to get time to be creative | doing a little each day | free-motion machine embroidery | lino cut | mac birmingham | paint or stitch or print | painting pattern | pattern | print | screen print | self-employment as an artist | Southern Asia

The Tutors Exhibition at macbirmingham is in it's last week closing on

3 June 2019 in Artist Tutors | Birmingham | birmingham things to do | exhibition | mac birmingham Artist Tutors | macbirmingham | The Tutors Exhibition

Swifts Kimono

On Saturday 18th May 2019 The Tutors Exhibition  – at macbirmingham opens and in it will be one of my pattern design pieces and products – would you like to hear the story of how it came about?

I recently watched The Creative Brain on Netflix, which advocated the importance of open-ended play for creativity to blossom and this, is very much a story of that process too.

It all began with a painting I did one afternoon where I textured up a piece of watercolour paper with a lovely deckled edge and then overlaid white paint leaving the negative space to describe birds flying. And that was it – that piece of creativity sparked something else and off I went down that rabbit hole leaving this painting in the plan-chest drawer for a few months.

Then by a series of serendipitous events I found myself a member of the wonderful SteamhouseUK community where I get to play about with the most amazing array of machines and learn techniques and processes that have been invented since I was last in college.

Sublimation printing (or dye sublimation printing as it is sometimes also known) is the process of transferring images onto a fabric (or other substrate) using a heat-press to print the image. At macbirmingham we have a heat-press and we use disperse dyes to paint and print onto paper which can then be heat-pressed onto fabric (if you think that sounds fun come along to my Tues afternoon class and have a go!)

But I had never hoped to ever have access to using an actual Sublimation printer until now! In this case the disperse dyes are in the printer ink cartridges and the computer sends your image to print onto heat resistant paper in wide format.

At Steamhouse the heat-press can print onto fabric up to 175cm in width. The heat-press technique is also great for capturing textures in designs onto fabric. The Tutors show was coming up. All this got me thinking what could I make with the size of fabric that I could print to exhibit for the show?

One morning I woke up with the answer ringing clearly in my mind and it didn’t take long to make it a reality – I’m single-minded like that sometimes – use the Swifts painting to make a pattern and construct a kimono!

The pattern had to be cut down the back and re-seamed in order for all the pieces to fit one at a time into the heat-press for printing and the Swifts pattern was easy enough to put into technical repeat using Photoshop so that I could use the sublimation printer to print an all over repeating pattern.

After that it was a steady job to sew it all together nicely including a partial lining so it looked good hanging up for exhibition.

If you’re local and can make it to MAC to see the show ( – Tues - Sun, 11am - 5pm, First Floor Gallery) you’ll see that kimono hanging on the wall and who knows, after the exhibition is over I may even wear it ;)

16 May 2019 in a kimono | an all over repeating pattern | capturing textures in designs onto fabric | disperse dyes | dye sublimation printing | heat resistant paper | heat-press | heat-press printing | learn techniques and processes | mac birmingham | Netflix | open-ended play for creativity | pattern design | Photoshop | print an all over repeating pattern | print onto fabric | process | SteamhouseUK | Sublimation printer | Sublimation printing | technical repeat | The Creative Brain | The Tutors Exhibition at mac birmingham 2019 | tutor | using a heat-press to print the image

Winterbourne House and Garden Residency

Just popping in with a few catch-up pieces from my residency at Winterbourne House and Garden.

It's been hard to catch a good time to be out painting because of the sudden changes in weather and temperature. One solution has been to work in miniature, although these paintings still take quite a time.

 

Everything is growing very fast and I'm trying my best to catch a little bit of it all as there's no way I can do all of it justice. The Auriculas have long been a favourite of mine so it was nice to capture them.

This little guy had to be caught on canvas having visited me whilst sketching one day and had a good long proper chat and even hopped around the side of me as if to see what I was doing.

26 April 2019 in acrylic painting | Artist in Residence | Artist in Residence at the University of Birmingham Winterbourne House and Gardens | bird inspiration | bird painting | Birmingham | claire_leggett_watercolour_painting | contemporary watercolour florals | gouache | gouache painting | painting | painting nature | watercolours | Winterbourne House and Garden | Winterbourne House and Garden Artist in Residence

Laos – Luang Prabang

Finally on our epic Asia trip was the very lovely Luang Prabang in Laos.

By this time we had clocked up something like 2 train trips, 1 boat trip, 7 flights, one car ride and 9 changes of hotel so staying in one small place for a few days was a very welcome end to such a busy trip.

Luang Prabang has a lot to offer being rich in Buddhist practice and temples - the most beautifully decorated arts and crafts - mosaics, paintings, handmade paper, the tin/paper stars hanging everywhere were my favourite - too large to being home sadly.The shops are full of locally made arts and crafts too as is the daily night market.

 My favourite discovery in Luang Prabang was the Ock Pop Tok textile center

 I went for a day to learn natural dying  - which I can do but not with such exotic plants and barks as these.

I made a scarf using a resist method and a lump of wood which when boiled produced this lovely red.

In the afternoon I learnt Hmong Batik with the local master craftswoman Grandma Mae. They add indigo dye to the wax so you can see where you've batiked - great idea.

 This is the finished piece sitting on the kitchen table reminding us of a fantastic trip.

15 April 2019 in Laos | Luang Prabang | Ock Pop Tok | Ock Pop Tok textile center